Archive for the ‘Music’ Category

Soca Rhythms

Monday, July 21st, 2008

Soca rhythms are rooted in the calypso rhythms of Trinidad and Tobago. Ras Shorty I (G. Blackman/Shorty) is credited with blending the East Indian rhythms with calypso rhythms and pioneering the soca style of music in the 1970’s. Shorty’s composition, Endless Vibrations, is one of the first significant diversion from the calypso rhythms. In the song, the voice of the drums-set is prominent and tends to be very supportive of the rhythmic patterns of the bass. The general pattern played by the drummer is the consistent eighth note pulse played on the hi-hats accompanied by four quarter notes played on the bass drum in addition to the floor-tom that is played on the “and” of the second and fourth beats of each measure. In general, calypso rhythms are interpreted in the cut-time time signature in which the hi-hat is featured and accompanied by a syncopated rhythm pattern played on the bass drum. Soca rhythms are generally interpreted in common time - the time signature commonly used in North American Soul Music.

click on the play button to hear this calypso pattern

calypso drum patterns

Calypso Drum Pattern

click on the play button to hear this soca pattern

soca drum patterns

Soca Drum Pattern

Getting Started in Music

Saturday, April 12th, 2008

I got started in music at a very young age. Music must have been alive in my family long before my birth. I may have been about four, three or younger when I began banging on every surface in sight. The sound of each surface varied with its timbre.

I grew up in a home where droves of people continually traveled in and out because there was always a “Dutch party” at the house. They were often planning, playing, joking, laughing and eating. One of my uncles was actively involved with a Steeldrum Orchestra while another uncle and one of my aunts were members of a dance company. There was an old piano sitting invitingly in the living room. A picture of a female vocalist, whose name I never knew, hung over the piano . My father was living in England at the time and sent us a copy of his vocal recording, “The nearnest of you” and “If I could help somebody”.

My uncle that was involved with the steeldrum would bring one of the instruments to the house and have me learn to play simple songs by rote. On occasion, he took me to the “pan yard” where I had to remain until he was finished with his activities. Like a sponge, I soaked up the sounds of the steeldrum and the entire environment. Whenever my uncle felt that I had learned a song on the instrument well enough, he would invite friends for a concert. Needless to say, they were very generous with their appreciation in spite of the performances.

My dancing aunt and uncle encouraged me to dance but I was too mesmerized by the drums and the drummer. It seemed pointless dancing without the infectious rhythm and energy that leaped from the drum and its drummer. I always focused my attention on the sound of the drum and the rhythm. The drummer had to possess unique memory, talent and technical ability in order to apply the appropriate rhythmic phrases and dynamics to the various body movements. He always appeared to be in a trance and experiencing bliss when he played his drum. I have witnessed many drummers perform with such intensity that blood dripped from their hands like perspiration - never flinching, never grimacing.

I learned to play two songs with my two index fingers on the piano that sat in the living room under the framed photo of the smiling female vocalist. The songs were “Bits of paper” and “Hot cross buns”. That was the extent of my piano repertoire until the piano was removed and destroyed. In the meantime, I dreamt of joining my father in England to perform and perfect my musical ambitions.

I got started in music at home…. looking, listening, imitating, practicing and performing!

click on the icon to listen

Test Post

Saturday, April 12th, 2008

Coming up from behind the bridge, I was exposed to rhythm. A rhythm that is infectious. A rhythm that reflects the life of the inhabitants of behind the bridge. The basic pulse, as consistant as the heart beat beats the uncouncious rhythm pattern of life.

A Test clip of the Yellow Jackets